袅袅夕阳情

　　1980年5月光州事件以来，韩国在军政府独裁统治的道路上越走越远。伴随着民主人士此起彼伏的自由呼吁，政府对人权的压制与践踏也日益猖獗。位于首尔南营洞的秘密据点，曾带给许多民主人士难以磨灭的惨痛回忆。1985年9月的一天，民主化运动人士金钟泰（朴元尚 饰）被秘密逮捕，旋即投入南营洞。在这个阴森冰冷的所在，他被迫不眠不休写下个人简历，还要时刻遭受审讯人员的拳打脚踢和人格侮辱。为了迫使金写下伪造供词，以刑讯专家李斗焕（李庆荣 饰）为代表的一群冷酷男子，采用花样百出的暴力手段，对金进行了长达二十多天的折磨。他们亲手缔造了一个民族最不堪回首的历史……
　　本片根据真人真事改编。

　　一个刚刚从大学毕业的男生前往巴黎寻求一个新的生活和状态，他已经和自己的女朋友分手5年了。在巴黎，他爱上了一个妓女，而此时，他们的稳固的关系才刚刚开始。

　　男主边小涯所在的门派，世世代代以捉妖为生。数千年前，一条巨蛇生有九头，身附金光，经常化身为一美若天仙的女子，为祸世间，自称为金蛇夫人。百姓生灵涂炭，终于捉妖师南华击败金蛇夫人，斩下其首，换来和平。但是，金蛇夫人身体虽亡，灵气不灭，临死前更是留下妖王再世的预言。祸乱后的数千年，镇守金蛇夫人的弑妖殿发生动乱，一只神秘冥妖将封锁金蛇夫人的神剑盗走，导致金蛇夫人灵力大泄。一只名叫曲灵的小妖临危受命，肩负起了追回神剑的责任，但是曲灵灵力弱小，必须找到御剑阁的人才能一起降服金蛇于是男主边小涯协同曲灵一起走上寻找神剑的路程。

　　电影《赤血营救》讲述了江离(姜艺声饰)在女儿失踪后,独自前往异国他乡,在营救女儿的过程中,与当地拐卖人口倒卖器官的黑恶势力头目杰克(邵峰饰)斗智斗勇,并协助当地警局局长察猜(英壮饰)共同营救了众多受害儿童、消灭了该黑恶势力的故事,

　　影片改编自人气小说，集结了西岛秀俊、宫崎葵、绫野刚、竹野内丰等豪华阵容。二宫与西岛都饰演了不同时代，拥有绝对味觉“麒麟舌”的厨师。电影将于明年秋天在日本上映。

　　小昆昆放暑假，三五成群消磨着野性時光，村上卻發現牛屍，內藏斬件人體，兩個傻偵探來查，再驚爆無頭女屍，傻探抓狂：我們不是來做哲學思考啊！傻探其實面懵心精，但線索一條條斷了，揭出更陰暗的，之後三凶案，一人竟給豬吃掉，疑雲愈積愈厚。小昆昆像看小說追看凶案，也繼續他的小惡作劇。法國頭號作者杜蒙（《魔非魔》，36 屆）首拍喜劇（原是四集電視劇）帶來不絕驚喜笑料，以幽默反轉偵探類型，詰問到邪惡人間，遊刃卻不離本色。《電影筆記》年度十大居首。

　　片讲述了Casper(Emory Cohen饰)和Dominic(Callan McAuliffe)这两位最好的朋友,彼此非常信任对方.在缅因州一个农业小镇里,他俩随着年龄的增长走向了不同的路,在丰收季,Casper开始在墨西哥边界与其"父亲"Clayton(Aidan Gillen饰)走私毒品. 与此同时,Dominic正在忙碌着丰收土豆,仅为赚更多钱买一辆车将自己带向更美好的未来.但随着Casper的生活逐渐暴露出真相之后,他们的友谊和忠诚开始备受考验,不得不让他们变得更成熟,来做出改变人生轨迹的成熟决定...

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　讲述一群警察、罪犯、游客和青少年全都聚集在美国乔治亚州的一座树林，树林中有一只将近230公斤重的顶级掠食者黑熊，吞食了一大堆可卡因，导致它野性大发、大开杀戒，血流成河。
　　故事灵感来自发生在1985年的真实事件，一名毒贩的飞机失事坠机，遗失了一批可卡因，结果被一只黑熊吃掉。

　　社区片警何静然在工作中偶然了解到自己负责的辖区内形成了一个“垃圾村”，在这个刚形成的流动人口聚集区里，她救助了两名失学儿童，解决了他们上学的问题。两个失去父母的孩子还成了何静然的家庭成员，这期间女儿晶晶曾对两名新家庭成员产生排斥，后来还惊异的发现这两名被妈妈救助的孩子居然是伤害自己爸爸的凶手的孩子。
　　在这个过程中，何静然碰到了“问题少年”张启晨。张启晨 经常逃课上网，甚至在约见网友中险些丧命，最后被何静然等人解救。在何静然的救助下，张启晨由一个“问题少年”转变成一个优秀学生。另外一个“问题少女”杨晓雨，因家庭暴力而叛逆，险些误入歧途。何静然以伟大的母爱关怀着她，使她迷途知返。被救助的孩子们原以为何静然有一个富裕完美的家庭，可当他们来到何静然家的时候才知道，她的丈夫竟然是植物人，躺在床上已经十几年了，而她，十几年如一日地守候在丈夫的身边。孩子们深受感动，纷纷叫何静然“妈妈”。

　　该片改编自真实事件，讲述一名年轻的伊拉克警察被尼尼微的特种部队从交火中救出，此后加入了一支10人小队，他们筹划游击行动，要从ISIS手中夺回自己的家园。